black family visual arts center

Celebrating the New Wave of Ibero-American Cinema

Starting January 13, 2016, Dartmouth will host an Ibero-American film festival on six consecutive Wednesday nights.  Thanks to the generosity of the Spanish & Portuguese, Film and Media Studies and Environmental Studies departments, the festival will bring new Spanish and Portuguese-language feature films and documentaries to campus, complementing a diversity of curricular activities.  Documentaries about the Amazon, the US/Mexico border, and the ETA conflict in Spain, in addition to feature films from Argentina, Puerto Rico, and Venezuela, will draw students from Spanish & Portuguese, Film & Media Studies, Latin American, Latino/a & Caribbean Studies, Women's & Gender Studies, Environmental Studies, and Earth Sciences.  The festival will also be widely advertised in order to attract attendees from outside of the Dartmouth community.  This festival was also made possible with the support of Pragda, SPAIN arts & culture and the Secretary of State for Culture of Spain.

January 13th 7PM- Bad Hair (Pelo Malo)

"Jauja" Movie Screening Jan 15th

FRIDAY JANUARY 15, 7PM

LOEW AUDITORIUM, BLACK FAMILY VISUAL ARTS CENTER

Followed by an in-depth Q&A post screening with Director Lisandro Alonso

Lisandro Alonso is a key figure of the New Argentine Cinema, a loosely connected new generation of filmmakers that has emerged since the late 1990s. The most radical, controversial, and arguably original representative of this new wave, Alonso is the director of La libertad/Freedom (2001), Los muertos/The Dead (2004), Fantasma (2006), Liverpool (2008) and, most recently, Jauja (2014).

With Jauja, the film we plan to screen at Dartmouth, Alonso has turned towards a somewhat traditional narrative cinema. Co-written with the poet Fabían Casas, photographed by Finnish cinematographer Timo Salminen, and starring Viggo Mortensen, the film is a colonial adventure that focuses on the period of the "conquest of the desert" during the late 1870s. A quasi-Western, it has been compared John Ford's The Searchers but also Joseph Conrad's novel Heart of Darkness. Alonso's film has garnered wide-spread acclaim at international film festivals, particularly Cannes, where most of his films were premiered.